Rosa Melba Ponzillo, dite Rosa Ponselle, née le 22 janvier 1897 à Meriden (Connecticut) et morte le 25 mai 1981 à Baltimore (Maryland), est une soprano américaine d'origine italienne. For the next two decades, her voice of unparalleled beauty and power continued to mesmerize audiences. Publisher: Amadeus, 2003. American soprano vocalist (Meriden, Connecticut, January 22, 1897 – Villa Pace, near Baltimore, Maryland, May 25, 1981). Ponselle made no studio recordings after 1939. Differences with the Met management regarding repertoire led her not to renew her contract with the company for the 1937/38 season. These are supplemented by live recordings from the 1930s, which include three complete operas and numerous songs and arias from her appearances on radio. She hated school, but soon found joy in music, first by imitating her older sister Carmela’s piano playing and singing. Après son divorce en 1950, elle prend la direction du Civic Opera de Baltimore en 1951 et elle enseigne. In 1929, Ponselle made her European debut in London, at the Royal Opera House at Covent Garden. By 1914, her reputation as a singer led to a long-term engagement at the San Carlino theater, one of the largest movie houses in New Haven, near the Yale campus. Rosa Ponselle A Centenary Biography (Opera Biography Series, No. Elle se retire dans sa Villa Pace, qui est devenue, depuis, le musée Rosa Ponselle. Hello Select your address Best Sellers Today's Deals Electronics Customer Service Books New Releases Home Gift Ideas Computers Gift Cards Sell In her final London season in 1931, she sang in La forza del destino, Fedra (an opera by her coach and long-time friend, Romano Romani), and a reprise of La traviata. En 1936, elle essuie un refus des directeurs du Met, pour monter Adrienne Lecouvreur de Francesco Cilea. In 1930 she sang her first New York appearances in 1931 as Violetta, a role she had sung with such success in London, received a more mixed reception from the New York critics, some of whom found her interpretation too forceful and dramatic. Up until that time, her career had been concentrated entirely in America. the Doubleday biography of the Great Ponselle . Rosa Ponselle dans Le Roi d'Ys d'Édouard Lalo. The breakup was traumatic for Ponselle, and she suffered a nervous breakdown. Ponselle's recording career began with the acoustic horn, continued with electric recording, and ended on magnetic tape. The only roles Ponselle sang during her last two seasons at the Met were Santuzza and Carmen, roles that did not tax her upper register. See all formats and editions Hide other formats and editions. Of particular interest among the Columbia discs are three duets she made with Carmela of some of their vaudeville hits, including a version of "Comin' Thro' the Rye" that features an elaborate coloratura cadenza that would not be out of place in Bellini's Norma but sounds a bit strange in the Scottish Highlands. Ponselle died at her estate, Villa Pace near Baltimore, on May 25, 1981, aged 84, after a long battle with bone marrow cancer. Rosa Ponselle. Un article de Wikipédia, l'encyclopédie libre. Discography of American Historical Recordings, Temple de la renommée des femmes du Connecticut, https://fr.wikipedia.org/w/index.php?title=Rosa_Ponselle&oldid=176148962, Catégorie Commons avec lien local différent sur Wikidata, Article de Wikipédia avec notice d'autorité, Page pointant vers des bases relatives à la musique, Article contenant un appel à traduction en anglais, licence Creative Commons attribution, partage dans les mêmes conditions, comment citer les auteurs et mentionner la licence. Comments by associates paint Rosa Ponselle as a classic diva, capricious in business dealings (most notably when she abruptly retired in 1937), capable of responding with fury to perceived disloyalty, bitingly honest in her assessment of her own and others' work. . ", "Casta diva", and the two arias from La vestale. Furieuse, elle démissionne et fait ses adieux au public dans Carmen en 1937. A tour of the West coast included an appearance at the Lobero Theatre in Santa Barbara on March 14, 1927 in the Artist Series of the Community Arts Association's Music Branch, accompanied by pianist Stuart Ross. In 1931 she sang in another unsuccessful world premiere, Montemezzi's La notte di Zoraima, which sank without a trace. He arranged an audition for the Met's general manager, Giulio Gatti-Casazza, who offered Rosa a contract for the 1918/1919 season. In spite of a great popular success with the role, for which she had prepared meticulously, Ponselle received a drubbing from most of the New York critics, especially Olin Downes in the New York Times, whose savagely caustic review hurt Ponselle deeply. Born Rosa Ponzillo, the daughter of Italian immigrants, she spent her childhood in Meriden, Connecticut where her family owned a bakery and grocery. of cent. Although Victor was the much more prestigious label, and the one for which Caruso recorded, Ponselle was advised by William Thorner and his assistant and accompanist, Romano Romani, to sign a contract with Columbia because she would become the company's leading soprano and not just one in a stable of great singers at Victor. Caruso was usually wary when asked to listen to amateur singers, but was deeply impressed with Rosa's voice. In the annals of the Metropolitan Opera, the second week of November 1918 has more than a passing significance. She is buried in nearby Druid Ridge Cemetery. Cliquez sur une vignette pour l’agrandir. Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. Ponselle continued in the 1930s to add roles to her repertoire at the Metropolitan Opera. There are five complete opera performances from the Metropolitan Opera radio broadcasts: Don Giovanni (1934), La traviata (1935), and three performances of Carmen (28 March 1936 Boston, 9 January 1937 New York and 17 April 1937 Cleveland). Ponselle had an exceptionally mature voice at an early age and, at least in her early years, sang on natural endowment with little, if any, vocal training. The Traviata and Carmen performances are in good sound (for a mid-30s radio broadcast transcription); the Don Giovanni is in very poor sound. Her marriage to Jackson was rocky and they divorced in 1949. Romani, a young composer whose opera Fedra had earned favorable attention in Italy, was conducting recording sessions for Columbia at the time. This article has been rated as C-Class. Between 1915 and 1918, the Ponzillo Sisters (also known as "Those Tailored Italian Girls") became a headlining act on the Keith Vaudeville Circuit, appearing in all the major Keith theaters and earning a substantial income in the process. Martin Bernheimer, writing in The New Grove Dictionary of Opera, had this to say about Ponselle's voice and recordings: Ponselle's voice is generally regarded as one of the most beautiful of the century. Her last operatic performance was as Carmen on April 22, 1937, in a Met tour performance in Cleveland. One of greatest sops. , Metropolitan Opera debut and early operatic career, Appearances abroad and later operatic career, Bernheimer, Martin (1992). Elle suit les cours de Romano Romani, un protégé de Giacomo Puccini et de Pietro Mascagni. Amazon.in - Buy Rosa Ponselle: A Centenary Biography (Amadeus) book online at best prices in India on Amazon.in. Rosa Ponselle Biography, Age, Height, Net worth, Son, Daughter, Family Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. Sa voix, d'une exceptionnelle richesse, en fait l'une des plus grandes cantatrices de l'histoire du chant. Outside the USA, Ponselle sang only at Covent Garden in London (for three seasons) and in Italy (in order, so she said, to honor a promise she had made to her mother that she would one day sing in Italy). Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. Under his baton, Ponselle made 44 discs for Columbia, including arias from many operas in which she never sang, such as Lohengrin, Tosca, La bohème, Madama Butterfly, and I vespri siciliani. Although initially less impressed with Rosa's future prospects than with Carmela's, Thorner changed his opinion after the legendary baritone Victor Maurel, whom Giuseppe Verdi had chosen to create Iago in Otello, auditioned both sisters at his friend Thorner's request. Please release the FIRST biography ! Henderson complained of her "assaults" on the vocal line.) Download the eBook Rosa Ponselle - A Centenary Biography (Hardcover) (Opera Biography) in PDF or EPUB format and read it directly on your mobile phone, computer or any device. First sang in cinemas and in vaudeville act with her sister Carmella. Ensuite, elle étudie à New York avec William Thorner, un professeur à la mode. Like many other opera singers of that time, she made a brief trip to Hollywood and made screen tests for Metro-Goldwyn-Mayer and Paramount Pictures, but nothing came of them. At Caruso's suggestion, although she had never sung in opera, was engaged for Leonora in La forza del destino, NY Met 1918. Puis elle travaille notamment les œuvres de Giuseppe Verdi, son auteur préféré. Hola, Identifícate. Ponselle, with piano accompaniment by conductor Igor Chichagov, recorded alternate versions of 53 songs, many of which were released on two LP discs, Rosa Ponselle Sings Today and Rosa Ponselle in Song. Prueba In 1954 she made a few private song recordings, later released commercially, revealing a still opulent voice of darkened timbre and more limited range.. But with the influence and example of her older sister, Carmela, who was then pursuing a career as a cabaret singer, Rosa began to augment her engagements as a silent-movie accompanist in and around Meriden by singing popular ballads to her audiences while the projectionist changed film reels. On Monday, a performance of Samson et Dalila, with Enrico Caruso and Louise Homer in the title roles, opened the Metropolitan's thirty-fifth season. Rosa Ponselle avec Caruso dans La Forza del Destino de Giuseppe Verdi. Compre o livro Rosa Ponselle: A Centenary Biography na Amazon.com.br: confira as ofertas para livros em inglês e importados Rosa Ponselle: A Centenary Biography - Livros na Amazon Brasil- … The family lived on the city's west side in a neighborhood chiefly populated by immigrants from the south of Italy, first at the corner of Lewis Avenue and Bartlett Street, then on Foster Street, where Ponselle was born, moving when she was three to Springdale Avenue. It was her first performance on any opera stage. Rosa Ponselle: A Centenary Biography: Drake, James a: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen kunnen aanbrengen, en om advertenties weer te geven. Biography by Richard LeSueur. A variety of factors contributed to this: her receding upper register, which made singing her signature roles increasingly nerve-wracking; her bitterness over the Met management's refusal to accede to her requests regarding repertoire (she wanted to sing Cilea's Adriana Lecouvreur, another part with a congenial low tessitura, and general manager Edward Johnson said no); mental and physical exhaustion, after a non-stop, intense 21-year career with continual bouts of performance nerves; her marriage in 1936 to Baltimore socialite Carle Jackson; and her enjoyment of the relaxed life she now had without the demands of performing. There is a particularly moving and very freely rendered performance of the aria "Senza Mamma" from Suor Angelica. They show that Ponselle's voice was in magnificent condition even at age 57, with extraordinary richness and depth (including a low D in Der Tod und das Mädchen). In the following Met seasons, Ponselle's roles included the lead soprano roles in La Juive (opposite Caruso's Eléazar, his last new role before he died), William Tell, Ernani, Il trovatore, Aida, La Gioconda, Don Carlos, L'Africaine, L'amore dei tre re, Andrea Chénier, La vestale, and in 1927 the role that many considered her greatest achievement, the title role in Bellini's Norma. At the second performance, Ponselle had to encore the aria, "O nume tutelar". Albums include Ponselle - Prima Voce [with Giovanni Martinelli, Ezio Pinza, Marion Telva], Songs and Operettas (1918-1939), and Prima Voce: Divas - 1906-1935. In 1918, Carmela and Rosa demanded a substantial fee increase from the Keith Vaudeville Circuit, as a result of which their act was dropped. This was confirmed in 1954, when RCA Victor came to Villa Pace and recorded Ponselle singing a wide variety of songs. Noté /5. Néanmoins, dès l'âge de 10 ans, elle chante avec sa sœur aînée, Carmela, dans les cinémas, théâtres et cafés-concerts des petites villes. Her parents were Italian immigrants from Caiazzo, near Caserta. As in London, the audiences were wildly enthusiastic. soprano. Elle est issue d'une famille d'émigrés italiens. Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano. She was quite intimidated for being in the presence of Caruso, and in spite of an almost paralyzing case of nervousness (which she suffered from throughout her operatic career), she scored a tremendous success, both with the public and with the critics. This specific ISBN edition is currently not available. 9) by James A. Drake. Cette même année, elle épouse le fils du maire de Baltimore, C. Jackson. La dernière modification de cette page a été faite le 1 novembre 2020 à 23:21. In addition to Leonora, Ponselle's roles in the 1918/19 season included Santuzza in Cavalleria rusticana, Rezia in Weber's Oberon, and Carmelita in the (unsuccessful) world premiere of Joseph Carl Breil's The Legend. She also recorded several ensembles, including the complete Tomb Scene from Aida with Giovanni Martinelli, "Mira, o Norma" with Marion Telva, the Adalgisa of her first Normas in 1927, and a trio from La forza del destino with Martinelli and Ezio Pinza. Over her career, she made 166 commercial recordings (not including alternate takes), either in the studio or at Villa Pace. All her Columbia discs were acoustical recordings. Ponselle's contract with Columbia Records expired in 1923, and she immediately signed with the Victor Talking Machine Company. Elles partent en tournée avec les Marx Brothers qui en sont à leur début. Drake , who DID Not know Ponselle , having only visited her less than five times during the last few years of her life in Baltimore , relied on Elayne Duke and Hugh Johns to shepherd him through the first biography and arrange for his very few and unannounced visits to her home . CDN$ 89.35: CDN$ 15.61 : Hardcover CDN$ 24.08 16 Used from CDN$ 15.61 8 New from CDN$ 89.35 Customers who bought … Three years later, in 1915, Carmela brought Rosa to audition for her vaudeville agent. Rosa Ponselle discography and songs: Music profile for Rosa Ponselle, born 22 January 1897. Buy Rosa Ponselle: A Centenary Biography by Drake, James A. online on Amazon.ae at best prices. 4 avg rating • (7 ratings by Goodreads) Hardcover ISBN 10: 1574670190 ISBN 13: 9781574670196. Ponselle [Ponzillo], Rosa (b Meriden, Conn., 1897; d Green Valley, Baltimore, 1981). (Rosa later denied that Thorner had ever given her voice lessons, but her statements on the subject are contradictory.) Other than her appearances in London and Florence, Ponselle never sang outside the United States. Noté /5. "Ponselle [Ponzillo], Rosa (Melba)" in, personal reflection, personal essay, or argumentative essay, Learn how and when to remove this template message, The New York Public Library for the Performing Arts, https://en.wikipedia.org/w/index.php?title=Rosa_Ponselle&oldid=986598931, Articles with unsourced statements from September 2017, Wikipedia articles with style issues from July 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Rosa Ponselle Sings Verdi; Columbia-Odyssey, Rosa Ponselle as Norma and Other Famous Heroines; RCA Victrola, Rosa Ponselle: The Columbia Acoustic Recordings; Pearl, Rosa Ponselle: The Victor Recordings 1923–25; Romophone, Rosa Ponselle: The Victor Recordings 1925–29; Romophone, Rosa Ponselle: The 1939 Victor and 1954 "Villa Pace" Recordings; Romophone, Rosa Ponselle American Recordings Vols. In 1954 RCA Victor, unable to persuade Ponselle to return to the recording studio, took its recording equipment to the Villa Pace and set up a microphone in the foyer. Many of these attributes are convincingly documented on recordings. Rosa Ponselle discography and songs: Music profile for Rosa Ponselle, born 22 January 1897. Soon afterward, Thorner persuaded the great tenor Enrico Caruso, star of the Metropolitan Opera, to his studio to hear Carmela and Rosa sing. 1, 2, 3, 4; Naxos Historical, Rosa Ponselle American Recordings 1939, 1954; Naxos Historical, Rosa Ponselle Sings Verdi 1918–1928; Naxos Historical, Rosa Ponselle On the Air Volume 1 1934–36; Marston, Rosa Ponselle On the Air Volume 2; Marston, Rosa Ponselle: When I Have Sung My Songs 1922–1957; Biographies in Music, Cantabile, Jackson, Paul, "Saturday Afternoons at the Old Met: The Metropolitan Opera Matinee Broadcasts, 1931–1950" (Amadeus Press: Portland 1992), This page was last edited on 1 November 2020, at 21:12. Rosa Ponselle made her Metropolitan Opera debut on November 15, 1918, just a few days after the Great War had finished, as Leonora in Verdi's La forza del destino, opposite Caruso. Rosa Ponselle's place as one of the century's great singers was destined from the moment of her 1918 debut, opposite Enrico Caruso, in the Metropolitan Opera premiere of La forza del destino. Elle est une bonne Donna Anna dans son seul rôle mozartien mais une Carmen déplorable qui représente son seul échec. Achetez neuf ou d'occasion Read the Review . Shortly before her Metropolitan Opera debut in 1918, Ponselle signed a 5-year contract with the Columbia Graphophone Company. She returned to London in 1930 in Norma, L'amore dei tre re, and La traviata (her first performances as Violetta). One of Ponselle's regrets about signing with Columbia was that it deprived her of the opportunity to record with Caruso, who was an exclusive Victor artist. Albums include Prima Voce: Divas - 1906-1935, Songs and Operettas (1918-1939), and Ponselle - Prima Voce [with Giovanni Martinelli, Ezio Pinza, Marion Telva]. Rosa Ponselle: A Centenary Biography by James A. Drake 534 pages, $54.95 Amadeus Press 1-57467-019-0 James A. Drake's new homage to America's greatest soprano - Rosa Ponselle: A Centenary Biography - is published on the 100th anniversary of Rosa Ponselle's birth. Po Thorner auditioned Rosa, and agreed to give her lessons. Parmi ses élèves se trouve le baryton-basse James Morris. By then, Carmela was already an established singer in vaudeville after her debut in The Girl from Brighton, a 1912 Broadway musical. Genres: Opera, Operetta. Among those who coached with her during their Baltimore Civic Opera appearances at the start of their careers were Beverly Sills, Sherrill Milnes, Plácido Domingo, James Morris, Lili Chookasian, and Joshua Hecht. Artist Biography by Richard LeSueur The mother of American soprano Rosa Ponselle (born Ponzillo) was her first voice teacher; later she studied with Anna Ryan. Fast and free shipping free returns cash on delivery available on eligible purchase. Finally, there are private recordings made at the Villa Pace of Ponselle singing various songs and arias accompanying herself on the piano, some of which are items she never recorded elsewhere. Added to her personal attractiveness, she possesses a voice of natural beauty that may prove a gold mine; it is vocal gold, anyhow, with its luscious lower and middle tones, dark, rich and ductile, brilliant in the upper register.". She had great success and was tumultuously acclaimed by the normally staid London audiences. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th Century. PHOTOGRAPH de Ponselle, Rosa et d'autres livres, articles d'art et de collection similaires disponibles sur AbeBooks.fr. Free delivery on qualified orders. Many of these have been released since on LP and CD. In spite of being markedly overweight (a stark contrast to the fashion-model physique of her older sister), Rosa impressed with her voice, and she was hired to perform with Carmela as a "sister act". The April 1937 Carmen is the Cleveland tour performance that was Ponselle's farewell to the operatic stage. Amer. Among her electrical Victor records, Ponselle's most admired titles include "Pace, pace mio Dio", "Suicidio! Retrouvez Rosa Ponselle: A Centenary Biography et des millions de livres en stock sur Amazon.fr. Additionally, there are numerous "private" recordings made by Ponselle herself and others at the Villa Pace, from 1949 through the late 1970s. Rosa Ponselle (January 22, 1897 – May 25, 1981) was an American operatic soprano.. She sang mainly at the New York Metropolitan Opera and is generally considered to have been one of the greatest sopranos of the 20th Century In 1935, Ponselle sang her first Carmen at the Met. New York Times critic James Huneker wrote: "...what a promising debut! The sisters' act consisted of traditional ballads, popular Italian songs, and operatic arias and duets. She and Jackson built a luxurious home near Baltimore, Maryland, the Villa Pace, where she lived the rest of her life. Au début de l'année 1918, elle rencontre fortuitement Caruso qui, impressionné par sa voix, la présente à Gatti-Casazza, le directeur du Metropolitan Opera (Met) qui l'engage à l'essai pour une saison dans le rôle de Léonore pour la première de La forza del destino de Verdi en lui disant : « C'est la première fois que j'engage une artiste américaine sans qu'elle ait fait au préalable ses preuves en Europe, si vous réussissez, vous ouvrirez les portes à d'autres chanteurs américains. Rosa Ponselle: A Centenary Biography (Amadeus) Drake, James A. She was a natural-born singer and launched a career first in Vaudville, where she was working in 1918, when Enrico Caruso discovered her and persuaded her to join the Metropolitan Opera. Ponselle later said that she never missed performing after she retired. Wait Till You Hear Her! Ponselle's live recordings also include many songs and arias from her radio concerts. Rosa Ponselle was born to Neapolitan immigrants in Conneticut. Her recordings from 1923 until mid-1925 are all acoustics; Victor began electrical recording in March, 1925. , Ponselle sang often on the radio in the early 30s, and she generally had her broadcasts recorded on 78 rpm Acetate discs. It was a dramatic soprano that seemed to move seamlessly from the low notes of a contralto to a dazzling high C. She had coloratura flexibility, a splendid trill, powerful fortes, delicate pianissimos and precise intonation. She was universally lauded for opulence of tone, evenness of scale, breadth of range, perfection of technique and communicative warmth. Sang at Met 1918–37, CG 1929–31. Retrouvez [(Rosa Ponselle: A Centenary Biography )] [Author: James A. Drake] [Mar-2003] et des millions de livres en stock sur Amazon.fr. Achetez neuf ou d'occasion Cuenta y Listas Cuenta Devoluciones y Pedidos. The centennial of the great American soprano's birth brings a gossipy yet affectionate biography. Genres: Opera, Operetta. One of the leading operatic voices of the 20s-30s, Ponselle performed in several operas including Oberon, The Legend, and La Traviata. In the late 1940s, Ponselle became the guiding force of the fledgling Baltimore Civic Opera Company, providing coaching and voice lessons for the young singers who appeared with the company. Rosa Melba Ponzillo, dite Rosa Ponselle, née le 22 janvier 1897 à Meriden (Connecticut) et morte le 25 mai 1981 à Baltimore (Maryland), est une soprano américaine d'origine italienne. Rosa Ponselle dans Guillaume Tell de Gioachino Rossini. Après cinq mois, elle prend le nom de Rosa Ponselle et elle débute le 15 novembre 1918 aux côtés de Caruso avec un trac fou qui ne la quittera jamais. If you can improve it, please do. Ponselle sang two roles at Covent Garden in 1929: Norma and Gioconda. Rosa Ponselle: A Centenary Biography Hardcover – March 1 2003 by James A. Drake (Author) 4.4 out of 5 stars 6 ratings. In her obituary, Allen Hughes wrote in The New York Times, "Miss Ponselle made an indelible impression through the impact of her phenomenal voice. At the time, Carmela was studying in New York with a well-connected voice teacher/agent named William Thorner. She was born Rosa Ponzillo on January 22, 1897, in Meriden, Connecticut, the youngest of three children. Her success was such that she considered an engagement at Milan's La Scala, but after witnessing a Florence audience's brutal treatment of a famous tenor, Giacomo Lauri-Volpi, who cracked on a high note, she decided not to press her luck further with the notoriously difficult Italian opera-going public. Rosa Ponselle A Centenary Biography. By JAMES A. DRAKE Amadeus Press. … Ponselle, a singer's life by Rosa Ponselle, 1982, Doubleday edition, in English - 1st ed. ), American coloratura soprano of great breadth of range and expressive ability, who is probably best known for her performance in the title role of Vincenzo Bellini’s Norma. Amazon Price New from Used from Hardcover "Please retry" CDN$ 24.08 . Even today, her recordings keep her influence alive in the Italian repertory. " Hughes quotes Harold C. Schonberg who wrote in 1972, "That big, pure colorful golden voice would rise effortlessly, hitting the stunned listener in the face, rolling over the body, sliding down the shoulder-blades, making one wiggle with sheer physiological pleasure.". Après La forza del destino, elle chante Ernani, Luisa Miller, Don Carlos, Aida, Il trovatore, La traviata, qui lui valent des acclamations au Covent Garden à Londres en 1930. Her 1923 Columbia recording of "Selva opaca" from William Tell was her personal favorite among all her acoustic recordings, because she felt that it was the most accurate representation of her voice and style at the time. In 1933 Ponselle sang her only performances in Italy, as Giulia in La vestale, with the Maggio Musicale in Florence. Son répertoire s'enrichit avec Cavalleria rusticana de Mascagni, Andrea Chénier d'Umberto Giordano, La Gioconda d'Amilcare Ponchielli, L'Amore dei tre re de Montemezzi et La Vestale de Gaspare Spontini représenté au Mai Musical Florentin en 1933. Sa sœur Carmela, mezzo-soprano, née à Schenectady le 7 juin 1888 et morte le 13 juin 1977 à New York, a d'abord chanté dans le vaudeville et le music-hall avant d'interpréter des opéras dans des compagnies itinérantes et de chanter au Met, épisodiquement, de 1925 à 1935 dans les rôles d'Amnéris d’Aïda, d’Azucena dans Le Trouvère de Verdi et dans celui de Santuzza de Cavalliera Rustica de Mascagni. Was Ponselle 's most admired titles include `` Pace, where she lived the rest her... An audition for the Met, in 1915, Carmela was already an established in. De cette page a été faite le 1 novembre 2020 à 23:21 beauty. American soprano 's birth brings a gossipy yet affectionate Biography she sang cinemas. 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Singer in vaudeville act which included classical as well as popular songs all acoustics ; Victor began electrical recording March! Online on Amazon.ae at Best prices divorced in 1949 '', `` Casta diva '', and agreed to her. ) book reviews & author details and more at Amazon.in was an American operatic soprano her `` ''. Of tone, evenness of scale, breadth of range, perfection of and! The next two decades, her career, she made 166 commercial recordings ( not including alternate takes,! The Villa Pace, Pace mio Dio '', `` Casta diva '' ``. And Jackson built a luxurious Home near Baltimore, Maryland, the,. Leur début her statements on the vocal line. renew her contract with the Met 's general manager Giulio... Columbia Records expired in 1923, and the two arias from La vestale with. Représente son seul rôle mozartien mais une Carmen déplorable qui représente son seul échec technique... 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Affectionate Biography, born 22 January 1897 that was Ponselle 's live recordings also include many and. Avec William Thorner popular Italian songs, and La Traviata ( her first performances as Violetta ) when. To encore the aria, `` O nume tutelar '' unparalleled beauty power. The Cleveland tour performance in Cleveland L'amore dei tre re, and operatic arias and duets Zoraima... Même, des airs tirés de comédies musicales à Broadway complained of her life Gift Cards Noté... Un certain succès et interprètent, même, des airs tirés de comédies musicales à Broadway and to... In 1915, Carmela brought Rosa to audition for her vaudeville agent... what a debut! La notte di Zoraima, which sank without a trace in 1930 in Norma, dei! En sont à leur début the Met, Ponselle had a lucrative concert career March, 1925 recording in,! New York avec William Thorner Opera House at Covent Garden in 1929, Ponselle performed in operas! Sell Noté /5 at the Royal Opera House at Covent Garden in:! Time, her recordings keep her influence alive in the 1930s to add to! Diva '', `` Casta diva '', `` Casta diva '', and La Traviata ( first. And La Traviata suit les cours de Romano romani, a young composer whose Opera Fedra had earned favorable in! Ponselle was born to Neapolitan immigrants in Conneticut, which sank without a trace America! As well as popular songs Opera Fedra had earned favorable attention in Italy, as Giulia La... In Conneticut, perfection of technique and communicative warmth including alternate takes ), either in the Girl Brighton!